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Amazing Photography: The photographer’s mindset — Photofocus


Photos are meant to be printed and hung. In this digital age, that means taking our photos out of the virtual world and bringing them into our real world. This mindset inspired the photos and the photographers in this series of Amazing Photography articles and it can inspire you too. Like any change, it requires…

Amazing Photography: The photographer’s mindset — Photofocus

It’s Your Art, Do What You Like With It


Food for thought, do you agree?

Mike Moats

I had an anonymous comment at my blog the other day and not sure if it was male or female, but judging from the nasty content I assumed it was driven by the testosterone of a male.
Anyways this person was very upset by the fact that I post so many of my images using post processing filters, and that I encourage others to use filters to enhance their images.
Digital photography has grown into many different art forms, and I think that is a good thing. It’s perfectly fine if you believe in creating images with the traditional look of a photograph, but now we have options going well beyond the traditional photographs if we choose to do that.
Not sure why some photographers get upset over this, as it is each photographer’s decision on how he or she wants their images to look.
I show my images with…

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Exhibition: ‘Ray K. Metzker: One and Only: Unique photographs and works on paper’ at the Laurence Miller Gallery, New York


Art Blart _ art and cultural memory archive

Exhibition dates: 4th September – 25th October 2014

Vale Ray K. Metzker. An artist who made difference.

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The one and only Ray K. Metzker has made his last photograph, passing away recently at the age of 83.

RESPECT. That is the word that springs to mind when I think of this artist. I utterly respect this man’s work for its integrity, vision, experimentation and intensity. He was committed to discovering the potential of black and white photography. In images that challenge our perception of what photography is, what photography can do, and what realities it can depict, Metzker produced sublimely beautiful and evocative images that were distinctly his own. They are formidable photographs. You cannot mistake his work for that of any other artist.

His handling of line and light is that of a master. His understanding of angle, camera placement, composition, composites, multiple-exposure, superimposition of negatives, juxtapositions of two images, solarization and other formal elements AS…

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FrankenCamera: 18 year old digitalizes old Konica Auto S3 Analog Camera


Wow, now I want to make digital back for my Bronica ETRS.

Foto[GEN]ERELL

deutsch_s1

I simply love interesting DIY-projects, certainly also because I´m completely untalented myself when it comes to handiwork. For me any kind of work that requires more than the use of some duct tape and scissors is too complicated already. That´s why I´m thrilled like a child when I get the chance to look over the shoulder of a gifted and ambitious craftsman…at least virtually. The latest DIY-story involves 18-year old Ollie Baker, who dissembled his NEX5 in order to build its components into an old Konica Auto S3 rangefinder camera.

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© Ollie Baker

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Understanding the Vibrance Command in Photoshop and Lightroom


Photofocus (old site)

When working with photos, many choose to have very saturated and rich colors. The problem with too much saturation is that it can cause clipping (a flattening of the range of colors). To help with this, Photoshop and Lightroom offer the Vibrance command. Unlike Saturation, Vibrance only boosts those parts of a photo that are less saturated. It also respects skin tones, which means photos look more natural when pumping up the intensity of color.

Fig 10-39 Vibrance1Step 1. Open the image Vibrance.jpg (provided for educational use only).

Fig 10-40 Vibrance2Step 2. You’ll first add a Saturation adjustment layer for comparison. In the Adjustments panel, click Saturation icon to add a new adjustment layer.

Fig 10-41 Vibrance3Step 3. Drag the Saturation slider to the right until the colors in the image start to clip.

Step 4. Discard the Saturation adjustment layer by clicking the trash icon at the bottom of the Adjustments panel. Click Yes in…

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